Merve Fejzula

Woman wearing a purple headscarf and beige turtleneck against a dark background
Assistant Professor
615 Locust St. Bldg., Rm E112
573-882-2481
Bio

Merve Fejzula is a historian of modern Africa and its diaspora, specializing in twentieth-century West Africa's global connections. Her research interests bridge African intellectual and art history, Black internationalism, and the history of political thought. She is currently at work on a book manuscript, which examines the transformation of Black publics from the late nineteenth century until the 1970s through a history of negritude - the philosophy of Black humanism most associated with the francophone Black world. Concurrently, she is also working on a curatorial project and documentary film about Younousse Seye, a path-breaking contemporary artist from Senegal. A self-taught painter and sculptor whose work has been exhibited across Africa, who consistently advocates for African women, and whose acting credits include films with the legendary director Ousmane Sembene - Seye has had a remarkable career in both the visual arts and film.

Merve's work has been the recipient of prizes, including the Institute of Historical Research's Sarah Pollard Prize and the University of Cambridge's Sarah Norton Prize. Her research has been funded by numerous fellowships and grants, including the University of Chicago, the Schomburg Center for Research in Black Culture, the Harry Ransom Center, the Royal Historical Society, and the Beinecke Library, among others. She began as a Preparing Future Faculty Postdoctoral Fellow at the University of Missouri and completed her PhD at the University of Cambridge.

Research Interests
  • African intellectual and political history
  • African cultural and art history
  • Imperial history
  • Black political thought
  • Black internationalism
Courses Taught
  • History of Early Africa (HIST 1790, BLSTU 1790)
  • History of Modern Africa (HIST 1800, BLSTU 1800)
  • African Oral History (HIST 2950)
  • Women in African History (HIST 3800, BLSTU 3800, WGST 3005)
  • Race and Politics in South Africa (HIST 4000/7000; study abroad)
Recent Publications

Please email me if you would like a copy of any of my publications.

"Pan-Africanism as a Public Feeling," in Project a Black Planet: The Art and Culture of Panafrica (Yale University Press, 2024). 264-279: https://yalebooks.yale.edu/book/9780300278996/project-a-black-planet/.

"Mariama Bâ, Younousse Seye, and the Ambivalence of Canonization," PMLA 139, no. 5 (2024): https://www.cambridge.org/core/journals/pmla/article/abs/mariama-ba-younousse-seye-and-the-ambivalence-of-canonization/6353C92A5A7ED1684F135149E906B297.

"Gendered Labour, Negritude, and the Black Public Sphere," Historical Research 95, no. 269 (2022): https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htac008/6603610?searchresult=1

"The Cosmopolitan Historiography of Twentieth-Century Federalism," Historical Journal 64, no. 2 (2020): https://www.cambridge.org/core/journals/historical-journal/article/cosmopolitan-historiography-of-twentiethcentury-federalism/9888195E1880734183FB97AB737BD3C9

Review of Gary Wilder’s Freedom Time: Negritude, Decolonization, and the Future of the World, History: Journal of the Historical Association 102, no. 350 (2017): 344-46. http://onlinelibrary.wiley.com/doi/10.1111/1468-229X.12411/full

Review of Andy Fry’s Paris Blues: African American Music and French Popular Culture, 1920-1960 entitled, “(Un)Cool Cats: Challenging the Traditional View of the French Response to Jazz,” Journal of Jazz Studies 10, no. 2 (2014): 203-209: http://jjs.libraries.rutgers.edu/index.php/jjs/issue/view/8.