Billy Coleman coordinates the collaborative Kinder Honors sequence in Revolutions and Constitutions and directs the Kinder Institute Democracy Lab. He is the author of Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865 (University of North Carolina Press)—winner of the American Musicological Society’s H. Robert Cohen/RIPM Award. And his research articles on early and nineteenth-century American music and politics appear in the Journal of Southern History, the Journal of the Early Republic, and Oxford Bibliographies in American Literature. Previously, after completing a Ph.D. in History at University College London (UCL), he held postdoctoral fellowships with the Kinder Institute and in the Department of History at the University of British Columbia. He was the Book Reviews Editor of American Nineteenth Century History for five years and is co-editing an upcoming special issue on music in American nineteenth-century history for the same publication. His new project, “Making Music National in a Settler State,” explores the transnational origins of national music in the United States, Canada, Australia, and New Zealand. Alongside the Revolutions and Constitutions sequence, Dr. Coleman regularly teaches history seminars on the American Revolutionary Era and The Young Republic for the Kinder Institute, interdisciplinary humanities electives in the Honors College, and surveys courses in early American history.